In the darkly biographical film Die Unberührbare (2000), director Oskar Röhler paints a bleak portrait of the final days of tortured writer Hanna Flanders (Hannelore Elsner), a thinly veiled stand-in for real-life scribe Gisela Elsner. Drunk, depressed, and unfeeling, Flanders flings herself into whirlwind romantic affairs in an attempt to reclaim her lost joi de vivre. Even if things don’t ultimately pan out for suicidal Flanders, she does a nice job of getting her kicks in (and at nearly sixty years of age, Elsner shows she can still boff with the best of them).