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Mariangela Giordano Nude
Top Mariangela Giordano Scenes
Showing 5 of 18 — join to watch all
2:06
Nude, breasts 00:36:00 A drunken Ms. Giordano saunters around the dinner table with her robe wide open and bare tits at full attention. And stick around for one nasty catfight!
1:30
Nude, breasts 00:58:00 Mariangela manifests both of her mammoth mammaries, this time while laying in bed. The view is a bit distant, but who could complain?
1:17
Nude, breasts 01:01:00 She's topless, she's riding some tied-up feller, it's hot and heavy fun... That is, until she stabs him with a big f'ing knife.
1:08
Nude, breasts 01:15:00 Now that everything that was formerly on the inside of the unlucky lover's body is now outside of it, Mariangela proceeds to writhe about in his organs in all her topless, orgasmic glory...
0:50
Nude, breasts, butt 00:53:00 Those peakers look like peepers to me--Mariangela's got eyeball body paint on her pips, then doffs her drawers to show some derriere.
0:49
Premium
Nude, breasts 01:11:00 She shares some bubbly in the bubble bath, and for her trouble gets a shotgun pointed at her naked nubs.
Italy has given us some absolutey stunning actresses to ogle and admire, and Mariangela Giordano (also credited as Maria Angela Giordan) is definitely one of them. Starting in Italian films in 1955 at the age of 18, she lists more than 75 titles on her acting CV through 2005, most of them occurring before 1994. While she made her mark in films like Vengeance (1968) as Rosita; as Miriam in The Mighty Ursus and Annia in the Valley of the Lions, both in 1961; as Signora Parolini in Il commissario di ferro (1978); A Maiden for a Prince(1967) as a lady friend of the prince; and as Carmelina in The Eye of the Needle (1965), the world had to wait decades before Mariangela introduced her hidden assets (no, those weren’t really hers in Malabimba: The Malicious Whore (1979)—it was a body double). In the horror film Patrick Still Lives (1980), her character Stella shows off her terrific tatas in multiple scenes: sunbathing by the pool, strolling through a field, in a gaping bathrobe at the dining room table, and lounging in bed. Continuing with not only the horror genre, Mariangela also keeps up her random acts of nakedness as Evelyn in Le Notti del terrore (1980), aka Burial Ground: The Nights of Terror; as Sol in Satan’s Baby Doll (1982); and as Condesa in Killer Babrys (1996), where, at age 59, she proves she’s aged magnificently in the sexy, full-frontal pose she strikes after fatally ravaging a lucky guy. Age ain’t nothin’ but a number.
