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Edwige Fenech Nude
Top Edwige Fenech Scenes
Showing 5 of 147 — join to watch all
1:00
Nude, breasts, butt, bush 00:56:00 She rips off her nunnery garb to show some sacred skin with her lover. Boobs, buns, bush--the works!
2:07
Nude, breasts, butt, bush 00:24:00 A trio of horny bumblers make use of a peephole to peep Edwige's holes! See every last B on her flawless figure when she showers completely nude.
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Nude, breasts 00:43:00 A dude stands behind a topless Ed as she plays the piano. Don't you want to tickle her ovaries?
0:38
Nude, breasts 01:25:00 Some lucky schmoe gets to actually sample Ed's advertised wares, busting those storied breasts out of her bra.
0:17
Nude, breasts 00:23:00 As she's lying on a bed, being berated, Edwige's right melon pops out of her robe to get a quick nip (har!) of fresh air.
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Premium
Nude, breasts 00:40:00 Eddie's perkers get oiled up by an unidentified nude beauty when they're sunbathing on a boat. E-ro-tic!!!
Edwige Fenech ranks among the most prolific from the classic era of Italian sensual cinema. The statuesque brunette was born in the aptly named town of Bône in Algeria to a French father and a Tunisian mother. She would later move to Europe, where she became a sex star in mostly Italian features. She has made a career out of appearing in such wonderful films as Sexy Susan Sins Again (1968), Swinging Young Seductresses (1969), Sex Is a Pleasure (1969), Naughty Nun (1972), Ubalda, All Naked and Warm (1973), La Soldatessa alle grandi manovre (The Soldier at the Great Maneuvers) (1978), and the redundant The Inconsolable Widow Thanks All Those Who Consoled Her (1974)--among many, many others. Most of those movies, as well as such groundbreaking skin classics as The Blonde and the Black Pussycat (1969), feature Edwige in at least some state of undress. Her best films? Where to begin? She made many classic Italian Giallo thrillers, as well as many sexy comedies. Edwige did more movies with nudity than without! However, the majority of them were rather tame and only a few featured Edwige giving up the full monty. Have a look at Grazie Nonna (1975), a.k.a. Lover Boy, and her all-time classic Cattivi pensieri (1976), a.k.a. Who Mislaid My Wife?, for the full Edwige form. She retired from skin flicks in the 1980s, the last of such films being A Policewoman in New York (1981), Cornetti alla crema (Croissants with Cream) (1981), and Asso (Ace) (1981). Edwige continued to act in regular productions, though, including Eli Roth's horror sequel Hostel: Part II (2007).