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Blanca Estrada Nude
Top Blanca Estrada Scenes
Showing 5 of 6 — join to watch all
1:38
Nude, breasts, butt 01:01:00 Both of Blanca's boobs and her meat buns get some serious screen time when she hits the sheets with a gentleman friend.
1:04
Nude, breasts, butt 01:32:00 Blance lies face-down on the bed, allows us quite a nice peek at her astoundingly comely rear.
1:26
Nude, breasts, bush, butt 01:01:24 Bianca strips fully nude for a priest who looks not unlike one of the Bee Gees!
0:17
Nude, butt, underwear 01:00:25 After being disposed of by the shady sisters, Blanca's clothes are stripped off and we get a close up of her juicy booty.
1:22
Nude, breasts, butt, bush 00:54:00 Off comes the robe and out comes the astoundingly beautiful Blanca's underbrush and boobs, frontally, before she slips into bed with a guy.
0:15
Premium
Nude, breasts 01:05:00 Her luscious, lickable lefty is revealed when her fella slyly slips her dress down as they smooch passionately in a field.
Ethereal blonde Blanca Estrada was a bright-burning flame across Spanish cinema for the better part of a decade. A former circus performer (and who wouldn’t want to see what was under her big top?), Blanca first screamed and creamed onscreen as Norma in the Spanish B-movie thrillfest It Happened at Nightmare Inn (1973). The horror genre seemed to agree with the lovely, angelic-faced actresss, and she provided a lovely physical pause to the gore in her next few features, as Elena in I Hate My Body and Kathy in The Ghost Galleon, both in 1974. That was also the year Americans were introduced to Blanca, when she played Alice Rennick in Open Season (1974) with Peter Fonda and William Holden, a Spain, Switzerland, United States, and United Kingdom collaboration. In her native country, her cinematic career mostly consisted of on-screen erotic features, including The Book of Good Love (1975), where the sizzler played Doña Endrina, and flashed a little boob. It seems innocent enough, but a critic actually described it as “a broad sample of masculine and feminine nudity, in front and behind, and a constant tension or demonstration of eroticism illustrated with obscenities.” It’s on Skin Central for just this reason, so eloquently explained. For the full effect of bold Blanca, tune in to her role as Ángela in El Francotirador (1978), aka The Sniper, in which she flashes all three Bs, and looks lovely doing so. She’s equally lovely as Madre Elvira in The Traveller (1979), another place where her privates are not so private. Lovely, girl. Just lovely.