Over the years Nastassja Kinski has presented her great body via a great body of work. As a teen, she confirmed she was one hell of a girl in To the Devil a Daughter (1976), bared her breasts in Tatort (1977), and showed her chest while showering with curvaceous classmates in Boarding School (1978). Next came the Italian romance Stay as You Are (1978), wherein the nude-comer’s private parts could often be seen. Just check out the breakfast scene when the naked babe sucks on a spoon to seduce Marcello Mastroianni. She touts her boobettes and bush, before making him kiss her tush! With the costume epic Tess (1979), Ms. Kinski proved less clothing is best as she let loose a nip to feed an infant. Perhaps that’s why she won the Golden Globe! In 1981, Richard Avedon photographed a naked Nastassja entwined by a snake for US Vogue. As the literal poster girl for skin-on-skin, she offered a brief glance at her mam in the musical One from the Heart and a lot more in the remake of Cat People (both 1982). The latter flick sees the sultry starlet parading her perky pair, natural bush and full moon in the woods. If that’s not arousing enough, we get more full-frontal when John Heard ties her up! By 1983, audiences are treated to some quick visions of Nasty’s nipples in Spring Symphony and Exposed (which succinctly sums up her career).
Come 1984, the German actress and former model flashes her flesh (especially her chest) while showering in Unfaithfully Yours, “dancing with herself” in Maria’s Lovers, and making out with Rob Lowe in The Hotel New Hampshire. After baring her breasticles in Harem (1985), she reveals her rack, rump and muff while being examined by a medical staff (as well as by her man’s staff) in the French film Maladie d’amour (1987). Sexy scenes in Italy’s L’alba (1990) and In camera mia (1992) followed as did coverage of her cans in the American-made One Night Stand (1997). After making out with another woman in Your Friends and Neighbors (1998), she unleashed her pups in Susan's Plan (1998) and her big girl cleavage in Little Boy Blue (1998). As a blonde, Kinski proves baby got back (plus bare boobage and a crotch shot) in the crime drama Red Letters (2000). With Town & Country (2001), she’s back to being a brunette and to displaying her derrière. Yet the unpredictable entertainer did the unthinkable in the erotic thrillers Say Nothing and Cold Heart (both 2001): she let a body double show off “her” breasts and bum! But Nastassja was back in skintastic action when she took a murky bath in the miniseries Dangerous Liaisons (2003). No wonder you can’t spell Kinski without kink!
